ANDRÉHN-SCHIPTJENKO

MARILYN MINTER & ANNIKA ELISABETH VON HAUSSWOLFF

Andréhn-Schiptjenko is part of the exhibition program at Villa Dagmar, which is run by Lovisa Malmström. During the summer of 2023, Andréhn-Schiptjenko will show the American artist Marilyn Minter and Swedish photographic artist Annika Elisabeth von Hausswolff.

ANNIKA ELISABETH VON HAUSSWOLFF

Oh Mother What Have You Done #024, 2019
Ed. of 3
Ink Jet Print on Fine Art Paper
59 x 42 cm
SEK 80,000 incl. VAT

Courtesy of Andréhn-Schiptjenko, Stockholm 

ANNIKA ELISABETH VON HAUSSWOLFF

Oh Mother What Have You Done #025, 2019
Ed. of 3
Ink Jet Print on Fine Art 
59 x 42 cm
SEK 80,000 incl. VAT

Courtesy of Andréhn-Schiptjenko, Stockholm

ABOUT ANNIKA ELISABETH VON HAUSSWOLFF

Annika Elisabeth von Hausswolff is one of the most influential photographic artists in Sweden. She is well-known for her carefully arranged images with a documentary visual expression, but her most recent body of work is based on already existing photos. Recurring themes are patriarchal structures, criminology, global capitalism, the subconscious and her deep interest in the photographic image. Several of her series of works have been inspired by crime-photography and her main sources include press and police archives. As of late, von Hausswolff has also been interested in the transition from analogue and digital photography and has worked with the very medium of photography itself and its tools of the trade. Different techniques have been used in this series: UV-print on acrylic glass, oil paint, fine art prints and metal print high definition on aluminium.

In 2021-2022, Moderna Museet in Stockholm presented an extensive mid-career retrospective of her work, accompanied by a catalogue, which then travelled to Moderna Museet in Malmö. In 2002, she was awarded the Prins Eugen Medal for outstanding artistic achievement.

Annika Elisabeth von Hausswolff  (b. 1967, lives and works in Gothenburg, Sweden) studied at Konstfack University of Arts, Crafts and Design and the Royal Institute of Art in Stockholm. She is a professor at Valand Academy at the University of Gothenburg. Annika Elisabeth von Hausswolff represented Sweden in the Venice Bienniale of 1999 and her work was the subject of a large mid-career retrospective: Grand Theory Hotel at Hasselblad Foundation in Gothenburg in 2016. Past institutional solo exhibitions include ARoS Kunstmuseum, Denmark, Magasin III Stockholm Sweden, La Conservera Murcia Spain and Statens Musem for Kunst Copenhagen. Her work is represented in the collections of Fotomuseum Winterthur, KIASMA Helsinki, SF MOMA San Fransisco, MCA Chicago, Moderna Museet Stockholm and The Solomon R Guggenheim Collection to name a few.

Since its inception in 1991 Andréhn-Schiptjenko, located in Stockholm and Paris, has consistently been committed to working on an international arena and to the long-term representation of emerging and established contemporary artists from all over the world working with painting, sculpture, photography, film and digital media as well as performance, installation-based and site-specific work.

Artists represented by the gallery are regularly present in major international survey contexts. Recent notable exhibitions for gallery represented artists include a large survey-exhibition of Uta Barth’s œuvre at The Getty Museum (2022), Annika Elisabeth von Hausswolff’s extensive retrospective at the Moderna Museet in Stockholm and Malmö (2021-2022) and Cecilia Bengolea’s performance and presentation at MUDAM, Luxembourg (2022). Jacob Dahlgren, Annika Elisabeth von Hausswolff, Siobhán Hapaska and most recently Xavier Veilhan with Studio Venezia (2017) have all represented their respective countries at the Venice Biennale.

A second space opened in Paris in the spring of 2019, allowing for a closer relationship with the gallery’s international network. In the summer of 2022, the Paris gallery relocated to a new, spacious venue, allowing for ambitious presentations of the artists represented by the gallery. Andréhn-Schiptjenko has participated in international art fairs since the mid-90s – The Armory Show, Art Basel, Material Art Fair Mexico City and Paris+ par Art Basel to name but a few. The gallery is an active member of The Swedish National Gallery Association, Le Commitée Professionel des Galeries d’Art, The Gallery Climate Coalition and the International Galleries Alliance. Since its founding, Andréhn-Schiptjenko is owned and directed by Ciléne Andréhn and Marina Schiptjenko.

For more information, please contact:
Lovisa Malmström
lovisa.malmstrom@hotelvilladagmar.com
Tel: +46 70 713 61 22

puff-annika

MARILYN MINTER

Two Green Flares, 2007
Ed. of 5 (#4/5)
C-print
95 x 130 cm
SEK 125,000 no VAT included Private sale

ABOUT MARILYN MINTER

Marilyn Minter (born 1948) is an American artist currently living and working in New York City. Minter’s work has been the subject of numerous solo exhibitions and has been included in group exhibitions in museums all over the world. In 2006, Marilyn Minter was included in the Whitney Biennial, and installed several billboards in Chelsea, New York City in collaboration with Creative Time. Her video Green Pink Caviar was exhibited in the lobby of the MoMA from 2010-2011. It was also shown on digital billboards on Sunset Boulevard in L.A. and on the Creative Time MTV billboard in Times Square, New York. In 2013, Minter was featured in “Riotous Baroque,” an exhibition that originated at the Kunsthaus Zürich and traveled to the Guggenheim Bilbao. In 2015, Minter’s retrospective Pretty/Dirty opened at the Contemporary Arts Museum in Houston, TX. Pretty/Dirty traveled to the Museum of Contemporary Art, Denver, the Orange Country Museum of Art, and the Brooklyn Museum in November 2016. Minter is represented by Salon 94, New York, Regen Projects, Los Angeles and Baldwin Gallery, Aspen.

For more information, please contact:
Lovisa Malmström, Art Advisor, dep,art,ment
lovisa.malmstrom@hotelvilladagmar.com
Tel: +46 70 713 61 22

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